Hanif Bahari’s artistic path began in childhood, where drawing, especially cartoons, quickly became both a talent and an obsession. Through the 1990s he pursued formal training in academic drawing and oil painting, a foundation he later expanded while studying Industrial Design at Azad University’s Art and Architecture Department in Tehran. His first published cartoon appeared in a major Iranian newspaper in 2001, followed by two solo cartoon exhibitions and one group exhibition before he relocated to Sweden in 2012. In 2014 he presented his caricature work in Gothenburg, and between 2015 and 2017 he continued his studies in Sundsvall, completing a Master of Arts in the Design for All program at Mid Sweden University.
For years, the axis of resistance was framed as strategic depth, a protective ring meant to proje
In Iran’s political theater, the presidency is reduced to a carefully costumed role, loud in appe
Sanctions were designed to cut off a regime’s access to money, not to teach it new tricks.
Trump turns the nuclear talks into a dondurma trick, offering “a deal” while constantly yanking i
This is not a negotiation, it is a controlled experiment.
In the Islamic Republic, the president is not the top of the pyramid, he is the public face of de
No more slogans, no more theatrical speeches, no more hiding behind “holy” symbols.
This is not chaos, and not excess. It is doctrine with a trigger.
A state that runs on fear still needs paperwork, this is what it uses for ink.
Power that survives by stepping on bodies does not become stable, it becomes reckless.
A regime that mistakes spectacle for strength sits at the table convinced its bluff is equal to r
This is what tyranny looks like when it runs out of room to hide.
The Lion and Sun, as an ancient symbol of Iran’s identity and continuity, represents the people’s
Iran is in a total communications blackout, with internet and mobile networks heavily disrupted,