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Bio

At 16, Ian David Marsden sold his first cartoons to the Swiss satirical magazine Nebelspalter and soon after to Penthouse Germany – leading his father to proudly tell friends that his son was drawing for a magazine he wasn’t old enough to buy.

With a Swiss mother and British father, Ian grew up between languages and cultures; the dry humour gene clearly landed on the British side. His pen has since wandered from Zurich to Paris, New York, Los Angeles and back to a small town in the south of France.

Over more than three decades he has drawn cartoons and illustrations for publications including The New Yorker, MAD Magazine and Nebelspalter, as well as for books, comic strips and the occasional soft drink can. One odd distinction: he was the first-ever Google Doodle artist, spending a year creating the playful logos that appeared on millions of screens. In 2020 he published his first graphic novel, Marvin: Based on the Way I Was, about composer Marvin Hamlisch and his family’s escape from Nazi-occupied Europe.

Ian’s cartooning leans toward understatement rather than shouting the joke. He cites Sempé, Steinberg, Booth, Loriot, Edward Gorey, Ronald Searle and Tove Jansson among his influences, along with the writing of James Thurber, S.J. Perelman and early Woody Allen. Fluent in English, French and German, he tries to keep a quiet streak of humanism and optimism alive in a world that often seems stranger than any cartoon.

E-mail: [email protected]
Website: https://marsdenillustration.com
LinkedIn: https://www.linkedin.com/in/idmarsden/
YouTube: https://www.youtube.com/@MarsdenIllustration

Quietly Exuded Competence

This cartoon captures the essence of a bland, grey European bureaucrat or politician.

The Great Replacement - Not what you think

This four-panel cartoon satirizes the fallacy of the “Great Replacement” theory propagated by far

Selfie Apocalypse

This cartoon humorously critiques the narcissistic bubble of modern society, where taking selfies

From Enlightenment to Idiocracy

This cartoon humorously critiques the trajectory of human achievement, beginning with Gutenberg,

The Weight of the World in Transit

Antony Blinken is depicted slumped on the floor of an airport, looking weary and contemplative, w

Secrets, Spies, and Missed Opportunities

“Is the secret shopping center open for business again?” The white spy from Spy vs.

“Your new Twitter logo is really tremendous, Elon! Nobody has ever seen a logo like this!”

Donald Trump stands gesturing with his signature hyperbolic enthusiasm at Elon Musk, who casually

The Evolution of Headwear: A History of Looking Important

This cartoon humorously examines humanity’s evolution through the lens of headwear, showcasing ou

Hidden in Plain Sand

In a seemingly ordinary Egyptian desert scene, the pyramids and the Sphinx rise above the sand as

A Splash of Color in the Mine

The Seven Dwarves are off to work, marching in their usual line with muted, color-coordinated out

Queen Elizabeth - Royal Scents

In February 2022, Queen Elizabeth II introduced the “Happy Hounds Dog Cologne,” a unisex fragranc

Heavy Lies the Crown

Two kings sit on their thrones, locked in a silent contest of egos, their crowns swelling to comi

Perhaps It Was Just a Gesture of Friendship?

A whimsical yet satirical cartoon depicting a group of animals in a park seemingly giving a Nazi