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SUMMARY
Why is the history of modern art only about the work of White/European artists? This question is not rhetorical, but about the reality of Eurocentric legacies of colonialism and racism, which not only sees artists of Asian and African origins as outside of art history but also excludes them from it. In this pioneering work, Art & Institutional Racism, Rasheed Araeen reveals how Asian, African and the Caribbean artists in Britain have challenged this exclusion.
Their work not only confronts the Eurocentricity of art history but also redefines modernism and its art history. And in doing so it aims to liberate art from Eurocentrism and also society as a whole from its lingering imperialism.