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Tarab: Music, Ecstasy, Emotion, and Performance
Michael Frishkopf, Scott Marcus, Dwight Reynolds
Page: 296
Format: pdf, ePub, mobi, fb2
ISBN: 9781477331460
Publisher: University of Texas Press
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In Arab culture, at the ineffable point where music meets emotion, lies ṭarab. Often glossed as the ecstasy experienced and expressed when performing or listening to singing, instrumental works, and recitations of poetry, ṭarab is both a practice and an orienting concept central to musical aesthetics and spirituality characteristic of Middle Eastern cultures. Gathering fifteen essays by scholars of music, affect, literature, religion, and education, Ṭarab extends the study of ṭarab historically, geographically, and sociologically. Historical essays explore ṭarab’s role in the medieval Middle East and the Ottoman Empire. Turning to the modern era, authors examine ṭarab and related concepts in Egypt, Albania, and Iraq, and among Turkish Roma and Lebanese Maronite Christians. The contributors also address contemporary practitioners and the intersections of ṭarab and maqām, belly dancing, music streaming, and university music ensembles. Situating this unique cultural concept in a global context, these studies enrich the story of ṭarab and provide new insight into music’s powerful emotional appeal.
Tarab: Music, Ecstasy, Emotion, and Performance (Hardcover .
Gathering fifteen essays by scholars of music, affect, literature, religion, and education, Ṭarab extends the study of ṭarab historically, geographically, and .
Tarab - Wikipedia
emotion or ecstasy felt by musicians and audience that is central to Arab music performance. Within tarab culture, performer and audience are bound by a .
Dwight Reynolds - Arts & Photography: Books - Amazon.com
Tarab: Music, Ecstasy, Emotion, and Performance. by Michael Frishkopf · Hardcover. $60.00$60.00. Pre-order Price .
Tarab: Music, Ecstasy, Emotion, and Performance - Goodreads
In Arab culture, at the ineffable point where music meets emotion, lies ṭarab. Often glossed as the ecstasy experienced and expressed when performing or .
Tarab: Music, Ecstasy, Emotion, and Performance (Hardcover)
Gathering fifteen essays by scholars of music, affect, literature, religion, and education, Ṭarab extends the study of ṭarab historically, geographically, and .
Tarab: Music, Ecstasy, Emotion, and Performance by Michael .
Gathering fifteen essays by scholars of music, affect, literature, religion, and education, arab extends the study of arab historically, geographically, .
Emotion, Performance, and Temporality in Arab Music: Reflections .
Emotion, Performance, and Temporality in Arab Music: Reflections on Tarab. Jonathan H. Shannon,. Jonathan H. Shannon. Hunter College, CUNY.
Tarab: Music, Ecstasy, Emotion, and Performance (9781477331439)
Gathering fifteen essays by scholars of music, affect, literature, religion, and education, Ṭarab extends the study of ṭarab historically, geographically, and .
Tarab - University of Texas Press
Tarab. Music, Ecstasy, Emotion, and Performance. Edited by Michael Frishkopf, Scott Marcus and Dwight Reynolds. 296 Pages, .
Tarab: Music, Ecstasy, Emotion, and Performance - Barnes & Noble
In Arab culture, at the ineffable point where music meets emotion, lies ṭarab. Often glossed as the ecstasy experienced and expressed when performing.
Tarab - Presto Music
An Introduction to Ṭarab: Music, Ecstasy, Emotion, and Performance (Michael Frishkopf, Scott Marcus, and Dwight F. Reynolds); 1. Ṭarab in Extremis in .
Street Concerts and Sexual Harassment in Post-Mubarak Egypt .
Deep Listeners: Music, Emotion, and Trancing . Indianapolis. : Indiana . A. J. “ Improvisation, Ecstasy, and Performance Dynamics in Arabic Music.
Project MUSE - Tarab - Johns Hopkins University
Tarab: Music, Ecstasy, Emotion, and Performance · Dwight Reynolds , Scott Marcus , Michael Frishkopf · University of Texas Press · book · Related Content.
Music in the Arab world: performing tarab
Tarab was underpinning one of the most important aesthetics in Arab music, described as a conflation among music and emotion transformation.